| Lampblack & Ash Sarabande, 2005 |
"What Muench does in these poems is what, in fact, all poets purport to do—that is to say, talk to the dead, let the dead speak—then offer answers. . . . [T]hese hermetic yet direct poems. . . speak to the reader like high-speed oracles. . . . The depth of identification with mastery, with enormous grief and enormous optimism and joy, becomes her force field." —from the Introduction by Carol Muske-Dukes "Simone’s poems have a confidence and sophistication of what I like to call intentionality. Also wit, grace, poise, and a relationship to writing beyond self-referential feeling. The language is refreshing, musical, attenuated. The literary, cultural references wake us up. This seems a writer inspired by Other. . . . There is an evocative marriage taking place here. Her poems display a highly engaged imagination." "Lush, sprouting sensuous images line-by-line, adopting myth freely, Simone Muench’s poems are volatile explosives, circling beauty." |
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By Your Mouth but today I ache, moths and blood trick I shrink raw wool and black Today, not even a meteor swarm My hands bare the bad lands, purple spike. Debut of the mad Outdoors, the wars roar on and like promissory notes and buried — You salute with a broken tooth, words — Days when I gaze into your glass of your tortured back, mustangs You conspire against my pleasure, than Kilimanjaro. You live in my ribs, and pendulum; a car salesman in white buzzards as you stumble dream in the blurry vision of virgins; the deep south of your contagious mouth.
Viewing Rain from a Hospital Bed Something sidles taste it; this disease I listen to rain, tangled It shoots. You How is it? Don’t go It’s how you hear it— unnamable odor and over you, But what if quickness I visit, Not scar, not of ache and tomorrow; or bone What if held beneath sea blue, an impenetrable be the source of fall? with diamond bones, some rain sparks, sage could I erase the moon flickering? |
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